It has not proved possible to respond to this question in the time available before Prorogation. Ministers will correspond directly with the Member.

I am sure all noble Lords will agree that our national museums are truly exceptional. I can confirm that we are not considering any changes to free entry for UK nationals and residents. In response to the independent review of the Arts Council by my noble friend Lady Hodge, DCMS is working with the museum sector to explore potential opportunities for charging international visitors at national museums and galleries. This is a highly complex issue that requires detailed work with the sector before any evidence-based decisions are taken.

Future EU programmes, such as AgoraEU, are still subject to internal EU procedures and are currently being negotiated between Member States and EU institutions.

We recognise the UK’s creative and cultural sectors provide a unique and valuable contribution to Europe’s rich culture. However, we will only join an EU programme where it is in the national interest and value for money for UK taxpayers to do so.

The UK’s network of recording studios are central to our position as the world’s third-largest recorded music market and second-biggest exporter of music, and they play a crucial role in ensuring the continuation of our talent pipeline. The creative industries, and music within that, are a priority growth sector in the government’s Industrial Strategy.

We have worked with industry to make revisions to the ONS's proposed SIC 2026 framework, and once in place, future economic estimates will be available for both music publishing and sound recording separately.

At the 2025 Budget, the Valuation Office Agency (VOA) announced updated property values that will take effect from 1 April 2026. This revaluation is the first since the pandemic, which has led to significant increases in rateable values (RVs) for some properties.  In recognition of the impact of the revaluation on business rates bills, the government announced a support package worth £4.3 billion to protect against ratepayers seeing large overnight increases in bills. Over half of ratepayers will see no bill increases, including 23% seeing their bills go down next year. This also means most properties seeing increases will see them capped at 15% or less next year, or £800 for the smallest.

Many recording studios are also likely to benefit from Small Business Rates Relief (SBRR). SBRR is available to businesses with a single property below a set RV. Eligible properties under £12,000 receive 100 per cent relief, which means around a third of properties in England pay no business rates at all. Tapered support is available to properties valued between £12,000 and £15,000. If a business expands to a second property, it will retain SBRR  on the first property for 3 years, up from 12 months previously.

The Government is investing £30m into a new Music Growth Package, launching in 2026, which will support music infrastructure, including recording studios, and ensure the UK music sector remains globally competitive. This enables the grassroots music sector, including recording studios, to apply for grants of up to £40,000 to develop new revenue streams and make repairs and improvements.

We are continuing to engage closely with industry stakeholders, including UK Music and the Music Producers Guild, to strengthen our understanding of the specific challenges the sector faces in relation to business rates, alongside the broader pressures on businesses arising from rising operating costs.

The Secretary of State for Culture, Media and Sport and the Secretary of State for Science, Innovation and Technology wrote to all Peers on 18 March, outlining the Government's approach to the issue of AI and copyright. The report and impact assessment required under the Data (Use and Access) Act 2025 were published and laid before Parliament on the same date, fulfilling the statutory requirements. There are no plans to schedule a debate in the current parliamentary session.

The government acknowledges the economic significance of visual artists and is committed to providing support, including addressing infrastructure requirements. The £1.5 billion Arts Everywhere Fund incorporates the £245 million Creative Foundations Fund, which is dedicated to supporting arts and cultural venues, including galleries and artists' studios, in addressing critical capital needs.

Arts Council England (ACE) provides support for artist spaces through both direct funding and the facilitation of strategic partnerships. This includes significant investments, such as co-founding the Creative Land Trust, which ensures long-term, affordable space for artists and creatives in London by bringing together a number of key funding partners and networks. ACE has supported the organisation with £2 million since 2019, and their goal is to build a portfolio of more than 1,000 studios across London, offering spaces to creatives at affordable rates, equipping those that use them to have greater impact and benefit within communities.

Furthermore, ACE funds numerous workspaces that are part of its National Portfolio Organisation Investment Programme, such as The Auxiliary in Middlesbrough which has received funding of £542,898 since 2022.

The UK remains fully committed to the 1954 Hague Convention. We continue to monitor developments in Iran and the wider region and we work with partners across the UN system to reinforce compliance with international humanitarian law, including obligations relating to the safeguarding of cultural heritage.

As the report highlights, it is considerably harder for someone from a working-class background to access the arts and pursue an artistic career. This is clearly not acceptable. Our £1.5 billion Arts Everywhere

fund will prioritise areas previously undersupported, ensuring the arts should be for everyone, whatever their background. It is also why we are investing £132.5 million of dormant asset funding to increase disadvantaged young people’s access to enrichment and delivering a £9 million creative careers service, which will focus on tackling the greatest barriers facing young people.

The UK’s network of recording studios are central to our position as the world’s third-largest music market and play an important role in ensuring the continuation of our talent pipeline. The creative industries, and music within that, are a priority growth sector in the government’s Industrial Strategy.

Up to now, recording studios have been classified by a four-digit SIC code that combined sound recording with music publishing. While this broader group contributed £1.9 billion to the UK economy in 2024, we are not able to disaggregate the contribution of recording studios specifically. Given these long running data limitations, we have in the past commissioned bespoke research to better understand this part of the sector, including a Music Studio Market Assessment in 2021.

Since then, we’ve worked with industry trade bodies to improve the accuracy of industrial classifications, in particular to make the case for revisions to the ONS's proposed SIC 2026 framework. Several of the recommendations have been accepted and once in place, future economic estimates will be available for both music publishing and sound recording separately.

The department has reviewed Progress 8 and determined that it has had an impact, including on arts subjects. As a result, as part of the government response to the Curriculum and Assessment Review, published on 5 November 2025, we announced our intention to consult shortly on an improved version of Progress 8 that will recognise the value of subjects, including the arts, which strengthen our economy and society, and the importance of a broad pre-16 curriculum. We will continue to monitor patterns in subject entry, including arts subjects, in the future.

The Government is committed to supporting the creative industries, including the craft sector, which is why we put them front and centre of our Industrial Strategy, including publishing the Creative Industries Sector Plan last year. The Department for Culture, Media and Sport is working closely with all other relevant government departments to support the craft sector and deliver on the Sector Plan. DCMS currently has no plans to form a cross-departmental group for craft, however DCMS and Skills England jointly run a Creative Sector Skills Forum, which has a rolling cast list and includes representation for the crafts sector depending on the agenda. This includes the Crafts Council, Heritage Crafts and Officials from DWP and DfE as needed.

The Listed Places of Worship Grant Scheme will close on 31 March 2026 or when the budget for the year is spent.. As we look towards a new fiscal period and the evolving needs of our community, it is essential that government support is deployed to the areas where it can have the greatest impact and where it is needed most. Our evaluation of the Scheme showed that while it had many benefits, 80% of respondents said that they would still have carried out the work without the rebate. There will therefore not be further funding rounds of the current scheme.

However, on 21 January we announced the new Places of Worship Renewal Fund. This will have an annual budget of £23m starting in 2026/27. This provides certainty for the remaining years of the Spending Review until 2029/30, providing £92m over the period. Support will be targeted at places of most need. Further details regarding the eligibility criteria and application process, will be published in due course.

Employer satisfaction with apprenticeships is very high: 83% of employers are satisfied with their apprenticeship programme; and 77% report improved productivity.

The government is investing an additional £725m to transform the apprenticeship levy into a growth and skills levy, and provides a range of financial support to small and medium sized businesses (SMEs) in all sectors to take on apprentices.

We pay £1,000 to both employers and training providers when they take on apprentices aged under 19, or 19-to-24-year-old apprentices who have an Education, Health and Care Plan (EHCP) or have been, or are, in care. Employers are also not required to pay anything towards employees’ National Insurance for all apprentices aged up to age 25 (when the employee’s wage is below £50,270 a year).

Additionally, the government will fully fund apprenticeship training for non-levy paying employers (essentially SMEs) for all eligible people aged under 25 from the start of the next academic year in August. At the moment, this only happens for apprentices aged 16 to 21 and apprentices aged 22-24 who have an EHCP or have been, or are, in local authority care.

To help prospective apprentices find apprenticeship opportunities, they can search and apply for apprenticeships on our Find an apprenticeship service which is used by thousands of employers.

The government recognises the importance of heritage craft skills and supports their development through apprenticeships, vocational qualifications and partnerships with sector bodies.

Higher education institutions in England are autonomous and independent, and so they are responsible for determining the courses they offer. The government does not intervene in academic content. However, we encourage collaboration between universities, further education providers and heritage organisations to embed practical craft skills where appropriate, including through vocational and foundation degrees.

The independent Curriculum and Assessment Review final report and the government response were both published on 5 November 2025.

The response included a commitment to revise the art and design programmes of study to exemplify the knowledge and skills that pupils should develop, including through their own creative practice, and to encourage teaching of a broader range of artists and media. This will include consideration of craft, which is covered in the existing national curriculum.

The Department of Education, and the Department for Works and Pension have overall responsibility for devising and delivering skills policy across Government. The Department for Culture Media and Sport works across Government to ensure heritage crafts and skills are appropriately considered in policy.

Historic England, Government’s advisor on heritage and Arms Length Body of DCMS, advises the Government on heritage skills and craft policy and contributes to a number of cross Government working groups, including the Construction Skills Delivery Group. DCMS has no plans to appoint further experts.

On 12 January 2026, the department’s consultation on post-16 pathways at level 3 and below closed. We are currently reviewing the responses and will provide a government response in due course and set out how we will transition to the new system.

The Government are committed to supporting the heritage, craft and building sectors to protect, maintain and adapt heritage for future generations. Last year, I hosted a round table on challenges facing the heritage skills sector and met my noble friend Lady Smith of Malvern, the Minister for Skills, to discuss the sector’s specific needs. A follow-up sector round table is being organised. The Government are providing an additional £1.2 billion a year towards skills development until 2028-29. We are working across government to ensure heritage skills are supported.

The Government recognises that individuals, including those in the entertainment industry, wish to have control over the use of their voice or likeness in AI-generated content.

Government intervention requires careful consideration given the complex legal landscape.

The Government sought views on the issue in its copyright and AI consultation. It is considering all feedback received through the consultation and will publish a formal response in due course.

My Lords, making creative careers accessible for everyone is a key priority for the Government. I agree wholeheartedly with the premise of the Question that there is an issue for us to address. That is why our refreshed £9 million creative careers service will focus on supporting priority areas where young people face the greatest barriers to accessing creative opportunities. It is also why last month we announced new funding for the King’s Trust to support direct routes for underrepresented groups into jobs, education and training in the sector.