HMRC has taken steps to address the backlog of A1 applications, have achieved their recovery strategy ahead of time and they are now achieving service levels. Since September 2023 the processing times for online applications have decreased to 6 days from 15 weeks previously, and for post applications, it is now also 6 days, down from 33 weeks. The Standard Level of Service Agreement targets for both are 15 days and 40 days respectively. As of 3rd May, HMRC has reduced the number of cases on hand to approximately 2500.

HMRC processing timescales for A1 forms are to clear 75% of online applications within 15 working-days, for postal applications it is to clear 75% within 40 working-days.

The Bill applies to public authorities as defined in section 6 of the Human Rights Act 1998.

This means that the Bill will only apply to public authorities and not to individuals in their private capacities. When an individual is acting on behalf of a public authority, they will not be held personally liable for a breach of the ban. Only public authorities can breach the ban.

Cases where this definition may apply to a single individual will be limited to where that individual is themselves a public authority. An example of such a case would be a Secretary of State. In this example, the Secretary of State would only be in scope of the Bill when acting as Secretary of State – and not when acting in their personal capacity.

The Economic Activity of Public Bodies (Overseas Matters) Bill applies to public authorities, as defined in section 6 of the Human Rights Act 1998. There is no universal test to determine whether an authority is bound by section 6 of the Human Rights Act and therefore in scope of the Bill. However, indicative factors that have been identified by judges as relevant include: the authority receiving a significant amount of public funding; the authority carrying out acts in exercise of statutory powers; and the authority exercising a task which is in the public interest. Although there is no lower limit to the size of a public authority, nor the amount of public funding that a public authority can receive, judges have already clarified that receiving public funding does not, on its own, mean a body is a public authority under section 6, nor exercising public functions. Ultimately, the courts would decide on individual cases depending on the particular circumstances.

The Bill applies to a broad range of public bodies to protect community cohesion and ensure a consistent approach to foreign policy. Specifically, the Bill applies to public authorities, as defined in section 6 of the Human Rights Act 1998. Bodies should already be aware if they are bound by section 6 of the Human Rights Act 1998 as this legislation has been on the statute book for 25 years and places wide-ranging obligations on them.

The definition may include some arts organisations such as some museums and galleries in receipt of significant public funding when they are undertaking certain public functions. As with any general definition in legislation, there are instances where the application of a definition depends on the specific facts of a case and it is ultimately for the courts to decide.

My Lords, we recognise the importance of the creative and performing arts to our economy. While some higher education providers have seen decreases in arts and humanities staff, academic staff numbers across England rose by 1.9% between 2019-20 and 2022-23 to 21,640.

The Crime Survey for England and Wales shows neighbourhood crime is down 48% compared to findings from the year ending March 2010; however, this Government recognises the significant impact crimes affecting heritage sites can have.

The Home Office is working closely with Historic England to prevent and tackle theft from historic buildings, monuments and sites, and through the established, expert Stolen Goods Working Group, is collaborating with policing and other partners, to deliver a programme of work that will make it harder for criminals to profit financially from acquisitive crime, including heritage crime.

The Home Office has encouraged the police, as part of their neighbourhood policing commitment, to work with communities to develop an understanding of the scale and extent of these crimes, whilst welcoming their commitment made last year to pursue all reasonable lines of enquiry so more perpetrators can be bought to justice.

In addition, crime prevention advice is published by Secured By Design, the police security initiative, including advice on how to improve the security of buildings and their surroundings, here: Secured by Design - Secured by Design.

The Crime Survey for England and Wales shows neighbourhood crime is down 48% compared to findings from the year ending March 2010; however, this Government recognises the significant impact crimes affecting heritage sites can have.

The Home Office is working closely with Historic England to prevent and tackle theft from historic buildings, monuments and sites, and through the established, expert Stolen Goods Working Group, is collaborating with policing and other partners, to deliver a programme of work that will make it harder for criminals to profit financially from acquisitive crime, including heritage crime.

The Home Office has encouraged the police, as part of their neighbourhood policing commitment, to work with communities to develop an understanding of the scale and extent of these crimes, whilst welcoming their commitment made last year to pursue all reasonable lines of enquiry so more perpetrators can be bought to justice.

In addition, crime prevention advice is published by Secured By Design, the police security initiative, including advice on how to improve the security of buildings and their surroundings, here: Secured by Design - Secured by Design.

His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.

The UK’s rules for touring creative professionals are more generous than those in many EU Member States. The vast majority of Member States — 23 out of 27 so far — have clarified arrangements to confirm that they allow visa- and work-permit-free routes for UK performers for some short-term touring. This includes the UK’s biggest touring markets such as France, Germany, and also Spain, which we are very pleased changed its position following engagement from HM Government and the UK music industry. We continue to work closely with the sector and to engage with the few remaining Member States to improve arrangements or clarify guidance. It is, of course, up to them if they want to replicate the UK’s generous approach, but we encourage them to do so.

We have worked across Government and in collaboration with the music and wider creative industries to support artists to work and tour with confidence in the European Union. Ongoing industry engagement continues at ministerial and official level. This includes several recent events with the sector focused on touring and export support, hosted in partnership with the Department for Business and Trade. These events help to provide tailored guidance to people and organisations in the sector, alongside an opportunity for the sector to discuss with Ministers and officials challenges and opportunities.

His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.

The UK’s rules for touring creative professionals are more generous than those in many EU Member States. The vast majority of Member States — 23 out of 27 so far — have clarified arrangements to confirm that they allow visa- and work-permit-free routes for UK performers for some short-term touring. This includes the UK’s biggest touring markets such as France, Germany, and also Spain, which we are very pleased changed its position following engagement from HM Government and the UK music industry. We continue to work closely with the sector and to engage with the few remaining Member States to improve arrangements or clarify guidance. It is, of course, up to them if they want to replicate the UK’s generous approach, but we encourage them to do so.

We have worked across Government and in collaboration with the music and wider creative industries to support artists to work and tour with confidence in the European Union. Ongoing industry engagement continues at ministerial and official level. This includes several recent events with the sector focused on touring and export support, hosted in partnership with the Department for Business and Trade. These events help to provide tailored guidance to people and organisations in the sector, alongside an opportunity for the sector to discuss with Ministers and officials challenges and opportunities.

His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.

The UK’s rules for touring creative professionals are more generous than those in many EU Member States. The vast majority of Member States — 23 out of 27 so far — have clarified arrangements to confirm that they allow visa- and work-permit-free routes for UK performers for some short-term touring. This includes the UK’s biggest touring markets such as France, Germany, and also Spain, which we are very pleased changed its position following engagement from HM Government and the UK music industry. We continue to work closely with the sector and to engage with the few remaining Member States to improve arrangements or clarify guidance. It is, of course, up to them if they want to replicate the UK’s generous approach, but we encourage them to do so.

We have worked across Government and in collaboration with the music and wider creative industries to support artists to work and tour with confidence in the European Union. Ongoing industry engagement continues at ministerial and official level. This includes several recent events with the sector focused on touring and export support, hosted in partnership with the Department for Business and Trade. These events help to provide tailored guidance to people and organisations in the sector, alongside an opportunity for the sector to discuss with Ministers and officials challenges and opportunities.

My Lords, we recognise that local authorities face challenges. That is why we have announced an additional £600 million to bolster our existing support, alongside our £64 billion local government finance settlement. We have also made permanent the increases to cultural tax reliefs and provided support for energy bills over the past two years. DCMS continues to advocate for and help local decision-makers understand the full value of culture, including through our culture and heritage capital programme.

HMRC’s Service Level Standards (SLA) for responding to A1 certificate applications are 15 working days, where received through the online application forms, and 40 working days, where received by post.

HMRC has implemented measures to bring processing back within the SLA by the end of April 2024.

My Lords, HMRC is rolling out significant improvements to the application process by allocating extra resources to help answer phone calls and deal with correspondence across all national insurance services. That includes the training and deployment of more people to process A1 applications. HMRC has also introduced new digital A1 certificate application forms and will roll out automation technology to help process customers’ applications faster.

Defra and the Environment Agency does not hold this data at national level.

Lead Local Flood Authorities (LLFA) investigate reports of flooding under Section 19 of the Flood and Water Management Act.

The Environment Agency’s annual flood and coastal erosion risk management report includes information on significant flooding and coastal events in England. The reports can be found at GOV.UK.

My Lords, opera, orchestras and classical music enrich our lives. Through its investment programme, Arts Council England is spending almost £60 million per year on classical music and opera. More opera organisations are being funded than previously, and support for orchestral organisations has increased in both number and value, with nearly two dozen sharing over £21 million a year. We have also extended the higher rate of cultural tax reliefs, including orchestra tax relief.

The UK’s creative industries are worth more than the life sciences, automotive manufacturing, aerospace, and oil and gas sectors put together, generating £126 billion annually and employing over 2.4 million people across the country.

As set out in the Government’s Creative Industries Sector Vision, our ambition is to grow this sector by a further £50 billion gross value added and to support one million more jobs by 2030, delivering a creative careers promise which builds a pipeline of talent.

Each sub-sector of the creative industries makes a distinct contribution to the UK economy. The information requested is shown in the following tables:

Number of people working in each creative industries sub-sector (000s):

Source: Economic Estimates: Employment in DCMS sectors and Digital sector, January 2022 to December 2022. - GOV.UK

Contribution to economy of each creative industries sub-sector, as measured by gross value added (GVA) (£ billions):

*Figures for 2021 and 2022 are summed monthly GVA estimates as annual GVA estimates are not yet available. These figures are subject to revision and not directly comparable to the annual GVA estimates for 2013-2020 due to being calculated via a different method.

Source: Economic Estimates: GVA for DCMS Sectors and the Digital Sector, 2020 - GOV.UK (Annual GVA 2013-2020); DCMS and Digital Economic Estimates: Monthly GVA (to Sept 2023) - GOV.UK (Summed monthly GVA 2021-2022)