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To ask His Majesty's Government when they expect to announce the appointment of a creative freelance champion, as proposed in their Creative Industries sector plan.
To ask His Majesty's Government when they expect to announce the appointment of a creative freelance champion, as proposed in their Creative Industries sector plan.
We committed in the Creative Industries Sector Plan to appoint a Freelance Champion, who will advocate for the creative sector’s freelancers within government and be a member of the Creative Industries Council. We will announce the appointment very soon.
Our priority has been that we take the time to get the role and appointment of the Freelance Champion right. As this is a new role, we have spent time working closely with the sector to develop the role’s remit, identify the priorities within that, and understand how the roleholder will engage with the sector once in post. We are working through the details and will be able to share more once the appointment has been announced.
To ask His Majesty's Government what assessment they have made of the potential impact on the employment of freelance musicians working in music production, of the increase in non-domestic rating increase for commercial recording studios in April 2026.
To ask His Majesty's Government what assessment they have made of the potential impact on the employment of freelance musicians working in music production, of the increase in non-domestic rating increase for commercial recording studios in April 2026.
The UK’s network of recording studios are central to our position as the world’s third-largest recorded music market and second-biggest exporter of music, and they play a crucial role in ensuring the continuation of our talent pipeline. The creative industries, and music within that, are a priority growth sector in the government’s Industrial Strategy.
We have worked with industry to make revisions to the ONS's proposed SIC 2026 framework, and once in place, future economic estimates will be available for both music publishing and sound recording separately.
At the 2025 Budget, the Valuation Office Agency (VOA) announced updated property values that will take effect from 1 April 2026. This revaluation is the first since the pandemic, which has led to significant increases in rateable values (RVs) for some properties. In recognition of the impact of the revaluation on business rates bills, the government announced a support package worth £4.3 billion to protect against ratepayers seeing large overnight increases in bills. Over half of ratepayers will see no bill increases, including 23% seeing their bills go down next year. This also means most properties seeing increases will see them capped at 15% or less next year, or £800 for the smallest.
Many recording studios are also likely to benefit from Small Business Rates Relief (SBRR). SBRR is available to businesses with a single property below a set RV. Eligible properties under £12,000 receive 100 per cent relief, which means around a third of properties in England pay no business rates at all. Tapered support is available to properties valued between £12,000 and £15,000. If a business expands to a second property, it will retain SBRR on the first property for 3 years, up from 12 months previously.
The Government is investing £30m into a new Music Growth Package, launching in 2026, which will support music infrastructure, including recording studios, and ensure the UK music sector remains globally competitive. This enables the grassroots music sector, including recording studios, to apply for grants of up to £40,000 to develop new revenue streams and make repairs and improvements.
We are continuing to engage closely with industry stakeholders, including UK Music and the Music Producers Guild, to strengthen our understanding of the specific challenges the sector faces in relation to business rates, alongside the broader pressures on businesses arising from rising operating costs.
To ask His Majesty's Government what assessment they have made of whether current Census and labour market statistics adequately capture employment in freelance and portfolio-based sectors, including crafts and the visual arts; and what discussions they have had with the Office for National Statistics about this issue.
To ask His Majesty's Government what assessment they have made of whether current Census and labour market statistics adequately capture employment in freelance and portfolio-based sectors, including crafts and the visual arts; and what discussions they have had with the Office for National Statistics about this issue.
The Office for National Statistics (ONS) Labour Force Survey (LFS) and Annual Population Survey (APS) capture everybody who is in work, with further detail about the type of work and contractual arrangements, which allow better understanding of different employment circumstances such as freelancing. The LFS and APS use the Standard Industrial Classification (SIC) 2007 and Standard Occupational Classification (SOC) 2020 frameworks for capturing the industry and occupation of responders. These aim to be comprehensive and for everyone who is in work to allocate the respondent an occupation, which will include those in crafts and visual arts, and an industry, such as "creative, arts and entertainment activities". In terms of the adequacy of the statistics themselves, the estimates available for those occupations on LFS/APS depends on having sufficient levels of response and any measures of accuracy calculated for estimates generated by users.
However, we recognise that the current definition of crafts using SIC2007 does not fully capture the crafts sector and does not adequately meet all of our stakeholder needs. As part of the ONS revision of the UK SIC framework, we have worked with stakeholders and the ONS to improve the way that DCMS sectors, including crafts and visual arts, are classified. As a result of this work, the updated proposed SIC2026 framework published by the ONS in February 2026 includes a new SIC code for “Physical three dimensional visual arts and craft creation activities” which will improve the identification of the crafts sector. The final framework will be published by the ONS on 31 March.
As part of the DCMS Sector Economic Estimates series, DCMS publishes official statistics on the number of self-employed jobs in DCMS sectors, including crafts and visual arts, which form part of the creative industries. These statistics are based on ONS data from the LFS and APS.
We have engaged with the ONS to understand the impact of reduced sample sizes of the LFS and APS on the quality of ONS labour market data and, in turn, the impact on the quality of our DCMS employment estimates.
To ask His Majesty's Government, further to the Written Answer by Baroness Twycross on 22 October (HL10982), when they intend to advertise the position of Creative Freelance Champion, as announced in the 2025 Creative Industries Sector Plan; what the remit and responsibilities of the role will be; and by when they expect...
To ask His Majesty's Government, further to the Written Answer by Baroness Twycross on 22 October (HL10982), when they intend to advertise the position of Creative Freelance Champion, as announced in the 2025 Creative Industries Sector Plan; what the remit and responsibilities of the role will be; and by when they expect...
We committed in the Creative Industries Sector Plan to appoint a Freelance Champion, who will advocate for the creative sector’s freelancers within government and be a member of the Creative Industries Council.
As this is a new role, we have spent time working closely with the sector to develop the role’s remit, identify the priorities within that and understand how the roleholder will engage with the sector once in post. We will make a direct ministerial appointment soon, and will publish a job description at that time.
The role remit will be intentionally broad, in order to allow the appointee scope to decide what issues to look into. Upon appointment, we expect the Freelance Champion to establish their priorities and develop a workplan to address them.
To ask His Majesty’s Government what progress they have made in the appointment of the freelance champion for the creative industries as announced in the Creative Industries Sector Plan on 23 June 2025.
To ask His Majesty’s Government what progress they have made in the appointment of the freelance champion for the creative industries as announced in the Creative Industries Sector Plan on 23 June 2025.
Freelancers play a vital role in the creative industries, which is why we committed to appoint a freelance champion in the creative industries sector plan. Since then, we have been working closely with industry to develop the scope of the role. In two weeks’ time, my colleague, Ian Murray, who is the Minister in the other place responsible for the creative industries, will hold a round table with freelancers’ representatives in the sector to finalise discussions. We will make an appointment as swiftly as possible after that.
Freelancers play a vital role in the creative industries, which is why we committed to appoint a freelance champion in the creative industries sector plan. Since then, we have been working closely with industry to develop the scope of the role. In two weeks’ time, my colleague, Ian Murray, who is the Minister in the other place responsible for the creative industries, will hold a round table with freelancers’ representatives in the sector to finalise discussions. We will make an appointment as swiftly as possible after that.
Freelancers play a vital role in the creative industries, which is why we committed to appoint a freelance champion in the creative industries sector plan. Since then, we have been working closely with industry to develop the scope of the role. In two weeks’ time, my colleague, Ian Murray, who is the Minister in the other place responsible for the creative industries, will hold a round table with freelancers’ representatives in the sector to finalise discussions. We will make an appointment as swiftly as possible after that.
To ask His Majesty’s Government what progress they have made in the appointment of the freelance champion for the creative industries as announced in the Creative Industries Sector Plan on 23 June 2025.
The champion-type role appointed by the Government is designed exactly for the purpose of making sure that these conversations are had and action is taken across government. We are very keen for the person who is appointed to this role to be involved in developing their own work plan, in discussion with the department, the Minister and the sector. The appointee will produce a work plan in their first months in the role, which will set out their priorities and planned actions. I might suggest that they have a conversation with the noble Baroness in that first period, so that she can be assured that they are looking at the right things that will support what is a vital part of the creative industries, but also one that has particular issues, as she outlined.
The champion-type role appointed by the Government is designed exactly for the purpose of making sure that these conversations are had and action is taken across government. We are very keen for the person who is appointed to this role to be involved in developing their own work plan, in discussion with the department, the Minister and the sector. The appointee will produce a work plan in their first months in the role, which will set out their priorities and planned actions. I might suggest that they have a conversation with the noble Baroness in that first period, so that she can be assured that they are looking at the right things that will support what is a vital part of the creative industries, but also one that has particular issues, as she outlined.
I thank the Minister for her response. As she says, freelancers are an essential part of our creative industries and these Benches have been asking for a freelance commissioner for a long time. We thank the Government for the champion. The Covid pandemic exposed the truth: a financial and benefits system that does not take into consideration the fragmented employment practices of the creative sector. Can the Minister assure us that not only the remit but the powers of the champion will be significant enough to work across government to enable change and end the discrimination that freelancers experience; in particular, in access to mortgages, loans, credit and pensions?
Delivery of our ambitious vision is on track. Key achievements include the £150 million creative places growth fund allocated to six mayoral strategic authorities; we have secured agreement to boost music creator streaming income; we have announced the price cap to ban for-profit resale of live event tickets; and we have secured investment for three Bollywood films in the UK, which are expected to create over 3,000 jobs. We also have an increase in innovation funding of £369 million from UKRI and over £4 billion for scaling creative businesses through the British Business Bank. I am delighted to say that the Culture Secretary announced today that £1.5 billion will be invested to save more than 1,000 arts venues—museums, libraries and heritage buildings—across England from closure. These are just a few of the actions that we have taken so far.
Delivery of our ambitious vision is on track. Key achievements include the £150 million creative places growth fund allocated to six mayoral strategic authorities; we have secured agreement to boost music creator streaming income; we have announced the price cap to ban for-profit resale of live event tickets; and we have secured investment for three Bollywood films in the UK, which are expected to create over 3,000 jobs. We also have an increase in innovation funding of £369 million from UKRI and over £4 billion for scaling creative businesses through the British Business Bank. I am delighted to say that the Culture Secretary announced today that £1.5 billion will be invested to save more than 1,000 arts venues—museums, libraries and heritage buildings—across England from closure. These are just a few of the actions that we have taken so far.
Please could my noble friend the Minister update us on the progress of implementing the creative industries sector plan? How is DCMS addressing problems of social mobility as part of the “arts for everyone, everywhere” vision?
There is strong evidence, including in the report from the trade union Bectu that was published last year, on some of the real issues that the noble Baroness identified within the creative industries. They particularly affect freelancers, who struggle with a huge range of issues—everything from late payment through to not getting paid or not having pensions. The Government are determined to strengthen employment rights, not least to help people thrive in good-quality self-employment. These are some of these
issues that the freelance champion will need to look at to make sure that we get the type of creative industries that are fair to all those involved.
There is strong evidence, including in the report from the trade union Bectu that was published last year, on some of the real issues that the noble Baroness identified within the creative industries. They particularly affect freelancers, who struggle with a huge range of issues—everything from late payment through to not getting paid or not having pensions. The Government are determined to strengthen employment rights, not least to help people thrive in good-quality self-employment. These are some of these
issues that the freelance champion will need to look at to make sure that we get the type of creative industries that are fair to all those involved.
My Lords, is one of the problems not that, in spite of the creative industries enjoying vast subsidies recently and throughout Covid—the Government were very generous—there are scant employment rights? The noble Baroness asked about freelancers, but the industry is rife with people who are nepotistic and people who say, “Come and work for us, but we cannot pay you”. Will the Government please track where those huge subsidies are going? I think I know; I think they are going to what are called non-executive and executive producers. Where is the money going in terms of employment rights?
I am happy to take that back to the department. I do not have a list of the make-up of the council, but I will take the point back and write to the noble Earl.
I am happy to take that back to the department. I do not have a list of the make-up of the council, but I will take the point back and write to the noble Earl.
My Lords, there is concern that the Creative Industries Council, of which the freelance champion will be a member, has very little workforce representation within its newly expanded membership. It includes not one working practitioner in any area. Will the Minister promise to look at this?
The noble Lord describes exactly what a freelance champion should do: to be a representative and voice for all those across the sector. I will make sure that I forward the working spec to all noble Lords who have taken part in this debate.
The noble Lord describes exactly what a freelance champion should do: to be a representative and voice for all those across the sector. I will make sure that I forward the working spec to all noble Lords who have taken part in this debate.
My Lords, I draw attention to my registered interests. Does the Minister accept that creative practitioners suffered disproportionately during the Covid lockdown and many from the impact of Brexit? Their predicaments are many and varied; in these circumstances, will she give an assurance that, when the appointment is made and is effective, it will relate to all the many and varied people in this sector to make sure that there is a proper channel to hear their needs?
One of the key priorities for this Government is to make creative careers accessible for everyone, including by making sure that we get career opportunities for more people from diverse backgrounds. I will have to come back to the noble Baroness on those points. We want to make sure that we get join-up, on which this freelance champion will engage.
One of the key priorities for this Government is to make creative careers accessible for everyone, including by making sure that we get career opportunities for more people from diverse backgrounds. I will have to come back to the noble Baroness on those points. We want to make sure that we get join-up, on which this freelance champion will engage.
My Lords, I genuinely congratulate the Government on the appointment of a person to look at these things. Notwithstanding what my noble friend said, the creative industries have been an absolute powerhouse in creating opportunities for young people. When the Kickstart scheme went live—I was involved—they embraced it, especially the people at Pinewood Studios. They gave them opportunities, such as James Bond, and some of us might remember the Ealing comedies. This was very good, but please can the Minister tell us whether the Government have done any impact assessment on the Employment Rights Act and the national insurance hikes? I think we will find that they have stopped opportunities for young people, so I hope it is something that the commissioner will look at.
The Government and particularly DCMS strongly welcomed our noble friend Lady Hodge’s review of Arts Council England. It is an excellent read, which I commend to any noble Lords who have not read it. We are planning to publish our full response later this year, but we are already looking in detail at how our noble friend’s recommendations could be worked through.
The Government and particularly DCMS strongly welcomed our noble friend Lady Hodge’s review of Arts Council England. It is an excellent read, which I commend to any noble Lords who have not read it. We are planning to publish our full response later this year, but we are already looking in detail at how our noble friend’s recommendations could be worked through.
My Lords, my noble friend the Minister will agree with me, I am sure, that, within the overall creative industries, the arts sector—performing and visual arts, and museums—is a significant employer of freelance practitioners. I would just say that within that sector there is a great deal of good practice in the employment of those freelancers. What progress has been made on the excellent report that our noble friend Lady Hodge recently produced on the Arts Council, which funds many of those organisations?
There are a number of tax incentives within the system currently. We are very clear that there is significant investment in creative industries in this country. I outlined some of those in relation to the rollout of the sector plan. We are very confident that we are working across government on the issues that the noble Earl raised.
There are a number of tax incentives within the system currently. We are very clear that there is significant investment in creative industries in this country. I outlined some of those in relation to the rollout of the sector plan. We are very confident that we are working across government on the issues that the noble Earl raised.
My Lords, Minister Murray in the other place is driving success for creative industries in Liverpool but relies on government funding. As we have just heard, the Arts Council has advised, quite rightly, that a mixed-economy model, which combines public funding and private investment, produces the optimum outcome. Is DCMS working with the Treasury to make it easy for companies to invest and give them some kind of tax break incentive, the net result being positive for the sector and economic growth?
To ask His Majesty's Government when they intend to advertise the position of Creative Freelance Champion, as announced in the 2025 Creative Industries Sector Plan; what the remit and responsibilities of the role will be; and by when they expect the appointment to be made.
To ask His Majesty's Government when they intend to advertise the position of Creative Freelance Champion, as announced in the 2025 Creative Industries Sector Plan; what the remit and responsibilities of the role will be; and by when they expect the appointment to be made.
We committed in the Creative Industries Sector Plan to appoint a Freelance Champion in 2025, who will advocate for the creative sector’s freelancers within government and be a member of the Creative Industries Council.
We have been working closely with established industry forums, including unions and freelancer representatives, to inform the role's remit, and we will make an appointment in the coming months. Upon appointment, we expect the Freelance Champion to establish their priorities and develop a workplan to address them. They will work closely with the sector and with ministers and government officials, to represent the experiences of creative freelancers and to build awareness of key rights, responsibilities, and resources among freelancers and their contractors.
To ask His Majesty's Government whether they intend to give the role of the creative freelance champion, announced in the Creative Industries Sector Plan, published on 23 June, to a relevant minister or an external appointee.
To ask His Majesty's Government whether they intend to give the role of the creative freelance champion, announced in the Creative Industries Sector Plan, published on 23 June, to a relevant minister or an external appointee.
The appointment process is still to be determined, though we plan for the role to go to an external appointee, not a minister. We will work with industry to develop Terms of Reference.
The Freelance Champion will be a role appointed by DCMS which will give freelancers a voice within government. We envisage that the role will help represent the interests of creative freelancers in areas such as the development of the Plan to Make Work Pay, the Small Business Commissioner, the Fair Work Agency, and the Department for Business and Trade’s Small Business Growth Forum.
Lords motion to take note of the contribution of the creative industries to the Government's growth mission and to creating jobs and productivity growth. Agreed to on question.
Lords motion to take note of the contribution of the creative industries to the Government's growth mission and to creating jobs and productivity growth. Agreed to on question.